Improving the Roots of Your Bonsai

 By Jerry Meislik

Introduction

A bonsai is composed of its component roots, trunk, branches, and leaves all of which are integral to its design. The roots and basal trunk are often considered to be the key to achieving a superior bonsai. With poor rootage it is not possible to achieve a great bonsai tree. Following is an attempt to organize some material on bonsai rootage, desirable and undesirable root configurations, and some techniques to improve poor or weak rootage. I refer to roots or rootage in this article as the visible part of the root system. The finer structural roots and hair roots below the soil level are not considered in this article.

General thoughts about Roots

In most bonsai styles a stable root system is necessary and very desirable. By stable rootage we refer to the tree having sufficient number, size and arrangement of roots to complement the bonsai's design and to give the tree a stable appearance in its container. Many root flaws cause the tree to appear unstable and thus likely to "tip over" in its pot. Most bonsai styles have a specific root appearance that seems to augment the tree's character.

Generally roots should taper from their origin on the trunk to their visible termination into the soil. Avoid the chopped-off look that is caused by collecting a tree from the field and chopping its root off at a convenient location. Achieving a nice taper may be accomplished by "feathering" off the severed area along its transition into the soil.

In addition, a tree should have stable rootage. This means that the tree should be endowed with sufficient size, arrangement, and number of roots to help it appear anchored in the soil. A serious deficit in the rootage might cause the tree to appear unstable and, therefore, liable to fall over. Each bonsai style has different rootage requirements that serve to amplify the unique character of that style. Anything that improves the rootage will help to improve the bonsai's image as a "real" tree.

Roots must appear firmly anchored in the soil and have no air spaces visible between the bottom of the root and the soil surface. Exceptions to this are the neagari or exposed root style bonsai, and the banyan or fig tree style, both of which may grow with parts of their roots exposed to the air.

Roots also must flow from the trunk and as with branches, the roots should not curve back to the trunk nor should they be directed straight at the viewer.

To give the tree unity of design, rootage should mimic or mirror the qualities of the tree. For instance a formal upright tree looks best with rather straight roots, while tortuous or snaky roots would be incongruous. On the other hand, a Moyogi or sinuous trunk bonsai should have sinuous or curved rootage.

If possible, roots should also have the same texture as the bark of the basal trunk. A striking variation in bark character suggests the roots were only recently lifted and exposed.

In addition, the size of the roots must be compatible with the trunk diameter. A root's thickness should be about one-sixth to one-eighth the trunk diameter, but always judge the result by what looks best on your tree.

Now that we have some generalities abut rootage under our belts, let's discuss specific bonsai styles and their rootage.

Specific Tree Styles and Their Rootage

Formal upright
The formal upright style requires that the tree have adequate rootage to stabilize the vertical nature of the design. This will require at least three significant roots visible from the front, and these need to be well spaced about the trunk as seen in figures 1 & 2. Roots should be relatively straight and not curved.

Figure 1. Formal upright with unstable rootage.

 
Figure 2. Formal upright with stable rootage.

 

Broom
Broom style follows the basic root rules for formal upright as in figures 3 & 4.

Figure 3. Broom style with weak rootage.

 
Figure 4. Broom style with nicely balanced roots.

 

Informal upright
The informal upright should have roots unequally but well spaced about the trunk. With pines a good basal trunk flare may partially substitute for absent roots.

Slant
Slant style or a leaning tree requires stable rootage to balance the tree. Roots are best if they occur around the trunk, with the heaviest roots being on the side opposite the lean of the trunk, figure 5.

Figure 5
 

Moyogi
In the moyogi, or sinuous trunk, rootage should similarly reflect the curving character of the trunk and branches figure 6.

Figure 6
 

Cascade
The cascade style because of its inherent movement and instability requires significant roots to stabilize the trunk (figure 7). In creating a cascade tree one often sees trees that have been tipped over. When doing this, the rootage plane must be kept flat so as not to spoil the illusion. A tilted root plane can be used if the cascade is attached to a rock that justifies the tipped roots (figure 8). Again, having the heaviest root away from the cascade helps to balance the trunk (figure 9).

Figure 7. Cascade unstable with no roots

 
Figure 8
 
Figure 9
 

Grove
The grove or forest style should have roots radiating out from the trunks. Overlapping or crossing roots are eliminated to avoid visual confusion, figures 10 & 11.

Figure 10. Trees viewed from the top.
 
Figure 11. Three tree grove front view.

 

Windswept
Windswept style should have roots arranged with the heaviest root away from the lean, figure 12.

Figure 12. Windswept with good rootage.

 

Literati
The literati style, with its emphasis on trunk line and movement, demands roots that do not detract from that movement. A literati with no root visible is better than one showing heavy roots that compete with the trunk line, figures 13 & 14.

Figure 13. Roots too large.

 
Figure 14. Roots in good scale.

 

Exposed root
Exposed root style, neagari, requires that there be an arrangement of roots that provide stability. The exposed roots must also have bark character resembling the trunk or the bonsai will appear newly created, figures 15 & 16.

Figure 15. Unstable rootage.

 
Figure 16. Stable rootage.

 

Banyan
Banyan, the tropical single tree equivalent of a grove, shows roots that originate from up on the trunk or from branches. These roots then assume the character of tree trunks. This is a natural style for figs and one that is familiar to our southern neighbors. The basal rootage should be significant and stable.
See Aerial Roots .

Common Rootage Problems

The following is a list of the most common root problems seen in bonsai.

1. Roots at uneven heights about the soil line.
2. Roots without taper, chopped off, or of greatly varying size.
3. Absence of significant roots.
4. An area devoid of roots.
5. Roots elevated off the soil surface, curving back to the trunk, or crossing each other.
7. Multiple tiers of roots.
8. Improper texture to the surface of exposed roots.

Solutions to some Common Rootage Problems

All too often we have available bonsai material which has a specific root problem. By using various techniques we can salvage all but the most severe of these problem trees.

One, with a tree that has an uneven rootage plane one solution is to remove redundant roots that are not in the proper plane. Another possible solution is to replant the tree on an angle to utilize the staggered rootage. Of course, this will require a readjustment of the tree's apex, depending on the style required and its balance point, figures 17, 18, &19.

Figure 17. Root plane uneven.

 
Figure 18. Tree tilted.
 
Figure 19. Apex adjusted.

 

Two, a tree with one or two heavy roots can be made more acceptable by splitting the heavy root and wiring both split parts to slightly different quadrants. In this way one heavy root has become two acceptable sized roots figures 20. It will take some time for the cut areas of the root to callous over and to look aged. An overly heavy root may be slimmed down with a cutting tool and brought into proper scale. If the tree's survival is dependent on a large root and therefore unsafe to whittle the root down, a temporary cosmetic correction may be accomplished by a skillful moss application to make the root appear slimmer. Proper mossing can also be used to give chopped-off roots a tapered appearance.

Figure 20. Roots too heavy. - Roots split in two.

 

Three, a tree which is too tall or which has an unacceptable or absent root plane can be air layered using the customary techniques to create a new root plane. This works with most deciduous materials but is not possible with most pine trees.

Four, a new root can be created for a tree missing a root by scarifying the trunk, just as for an air layer, placing sphagnum peat around the cuts, and covering with plastic until a new root is formed. Another technique for an absent root is to scarify two faulty trees and place the cambium layers together, figures 21. The trees are wired firmly together for two growing seasons and instead of two one-sided trees you now have a twin trunk tree with good roots all around, figure 22. Or the second tree may be removed in a year or two leaving one tree with a complete root system, figure 23. Another technique can create a very effective visual cure for a missing root by finding an unnecessary branch with the proper bark character and whittling this to appropriate size and shape. This is then carefully placed where needed and mossed into position. I have seen this used so effectively that no one but the perpetrator recognizes the deception. The new "root" will rot with time and will require a more permanent solution.

Figure 21. One sided roots.
 
Figure 22. Tree fused.

 
Figure 23. Small tree removed.

 

Five, if you have a large number of trees of one species with poor rootage, it maybe be easiest to use these one sided trees to create a grove planting. Remember that in a grove the roots should not crisscross but radiate outwards as do the spokes of a wheel, figures 10,11.


These are only some of the solutions to common root problems. We have only begun to explore the realm of possibilities in improving root structure of bonsai trees.

Conclusion

In this article some general concepts about rootage, and the root requirements of common bonsai styles have been discussed. Several common root problems along with some possible solutions have been discussed. When buying or collecting bonsai it is easier to regrow or retain a tree's top than to correct a faulty root buttress; therefore, it is best to avoid material with serious root problems.

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All Rights Reserved © 2001 Jerry Meislik